Pastorale for Christmas-This stately pastoral work incorporates the chorus of O Come All Ye Faithful (or Adeste Fideles) into the writing. The original melody by Yon is rather remarkable in its elegant beauty and sounds timeless and enchantingly ancient though it was written rather recently in 1917. Pietro Yon was an organist who spent most of his career at the St. Patrick Cathedral in New York. Yon was well regarded in his lifetime by fellow musicians notably among his pupils was the celebrated American songwriter Cole Porter and upon his passing in 1943 Arturo Toscanini himself was among those who attended his large funeral. This arrangement begins solftly with a simple statement of the melodyin the trumpets. The theme expands as it is passed around the various instrumental choirs with increasing use of counterpoint. Culminating in a joyous exhaultation the music winds to a gentle and serene conclusion. The score is well-cued in key sections where the melody is prominent.

The buoyant and joyful song by Pietro Yon is set in sparkling style for SSA voices! This treasured melody is known and loved the world over and will make a marvelous treble choir addition to Christmas concerts! Available for SSA Piano and Flute. Flute part included in choral octavo. Duration: ca. 4:15.

This classic carol by Pietro Yon is offered in a grand and beautifully orchestrated arrangement. Available: SATB SAB SSA Instrumental Pak ShowTrax Cassette.

Greg Gilpin has set the lyrics of both “O Little Town of Bethlehem” and “It Came Upon a Midnight Clear” to the music of “Gesu Bambino” by Pietro Yon making an exquisite choral work. Simple yetelegant the harmonies float the selected lyrics which are suitable for school or church. The use of “Venite adoriamo” in the chorus has optional English lyrics. A stunning arrangement for every choir.

Pastorale for Christmas-Though lesser known than some Christmas melodies this stately pastoral work incorporates the chorus of O Come All Ye Faithful (or Adeste Fideles) into the writing. The original melody by Yon is rather remarkable in its elegant beauty and sounds timeless and enchantingly ancient though it was written rather recently in 1917. Pietro Yon was an organist who spent most of his career at the St. Patrick Cathedral in New York. Yon was well regarded in his lifetime by fellow musicians notably among his pupils was the celebrated American songwriter Cole Porter and upon his passing in 1943 Arturo Toscanini himself was among those who attended his large funeral. This arrangementbegins solftly with a simple statement of the melody in the trumpets. The theme expands as it is passed around the various instrumental choirs with increasing use of counterpoint. Culminating in a joyous exhaultation the music winds to a gentle and serene conclusion. The score is well-cued in key sections where the melody is prominent.

Lights up on the most traditional of all musical settings - a toxic waste dump off the New Jersey Turnpike. As the citizens of Tromaville cry for help (?Who Will Save New Jersey??) Melvin Ferd the Third an aspiring earth scientist vows to clean up the state. Everyone is skeptical. This is the setting for The Toxic Avenger a rock musical based on Lloyd Kaufman's film. This songbook includes Piano/Vocal (Melody in the Piano Part) selections for 13 tunes from DiPietro & Bryan's award-winning musical adaptation: All Men Are Freaks • Big Green Freak • Bitch/Slut/Liar/Whore • A Brand New Day in New Jersey • ChooseMe Oprah! • Evil Is Hot • Hot Toxic Love • Jersey Girl • The Legend of the Toxic Avenger • My Big French Boyfriend • Thank God She's Blind • Who Will Save New Jersey? • and You Tore My Heart Out.

For the holidays here is a refreshing simple treatment of the tradional carol that can give younger players performance success. Lloyd Conley's writing for developing groups is always a solid choice for directors. Dur: 2:25

Light and lilting “Gesu Bambino” comes to new life with Benjamin Harlan's musical touch. The optional finger cymbals (or triangle) and flute (or oboe) will add special color. The harmonies are tastefully altered hereand there offering some warm surprises. “Let us adore him” is repeated sustaining a mood of reverence at the manger. Available: SATB.

A selection of Christmas Carols and Traditional Classics with backing CD. This instrumental series is arranged for Flute Trumpet Clarinet Alto Saxophone Tenor Saxophone Horn in F and Trombone. The instrumental parts can be used along with the CD or in any combination.

Une sélection de chants de Noël traditionnels et les CD de sauvegarde Classicswith. Cette série instrumentale est arrangé pour flûte, trompette, clarinette, saxophone alto, saxophone ténor, cor en fa et le trombone. Les parties instrumentales peut être utilisé conjointement avec le CD ou dans n'importe quelle combinaison. / Trombone

Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano